Eddie Harris Intervallistic Concept Pdf Patched Extra Quality -
Intervallistic Concept by legendary jazz saxophonist Eddie Harris
In the pantheon of jazz innovators, Eddie Harris occupies a unique space. While often celebrated for his commercial successes, such as the soul-jazz anthem "Freedom Jazz Dance" or his experimentation with the electric Varitone saxophone, Harris’s most profound contribution to jazz pedagogy is his theoretical work, the Intervallistic Concept . Often circulated among musicians as a sought-after PDF, this text represents an attempt to simplify the overwhelming complexity of jazz harmony into a streamlined, intuitive system. The "Intervallistic Concept" is not merely a method for learning scales; it is a "patched" approach to improvisation that bridges the gap between rigid academic theory and the fluid reality of melodic invention. By analyzing Harris's work, we uncover a system that liberates the musician from the vertical constraints of chord-scale theory, offering a pathway to a more cohesive, horizontal melodic flow. eddie harris intervallistic concept pdf patched
- Callout 1: “Leap down a minor 7th to resolve to the 3rd — creates contrast before re-establishing the tonic.”
- Callout 2: “Chromatic approach from above; use ghosted grace note to smooth the interval.”
- Practice tip: “Hum the target pitch for 3 seconds before each attempt.”
: In the online jazz community, "patched" versions usually refer to digital PDF scans that have been cleaned up or compiled from multiple sources because the original 1970s printings often had low-quality typesetting or missing pages. Methodology Callout 1: “Leap down a minor 7th to
Take one page—just the "Table of Perfect 4ths" (Page 12 in the patched version). Play nothing but Perfect 4ths for 10 minutes over a blues backing track. You will sound strange, then interesting, then finally, like Eddie Harris. : In the online jazz community, "patched" versions
Instead of thinking in terms of modes or chord changes, Harris’s concept focuses on:
- 3 bullet points on how to adapt Intervallistic ideas to different ensembles (solo sax, quartet, keyboard + horn).
Volume III (Holistic Application):
Focuses on applying these concepts across various genres, including blues, Latin, and funk, while exploring melodic development and rhythmic variations. Key Areas of Study